Bollywood Glitterati

Mudasir Ali, Parvez Damania, Vishwa Sahni, Ranvir Shorey, Sonu Gupta and Ashok Dhamankar at Vishwa Sahni & Sonu Gupta's solo art shows at Nehru Centre Art Gallery Veteran artist Vishwa Sahni, in his 35th show, seeks to explore what is the need of the hour -- women empowerment, using light as the medium. Alongside him is young Sonu Gupta who brings to life on canvas, the blessed lotus. “The lotus blooms in the muck, yet is sought ater. It teaches us that we are all blessed,” avers Sonu who has depicted Buddha as well. Vishwa who use light to display the emotions says, "In the equation of economics and hunger, women become a dispensable commodity. My works seek to find that light within us, casting aside the shadows." The inaugural ceremony of Vishwa Sahni and Sonu Gupta's solo art shows, saw actor Ranvir Shorey, enterprenuer and art enthusiast Parvez Damania, Ashok Dhamankar, Director - Magna Publishing Co. Ltd. and many other artists of the likes of Pr

Dignitaries at the unveiling of statues at Philosopher Saint Dyaneshwara World Peace Prayer Hall, prior to the inauguration of the world's largest dome. Circa 1958, Young Vishwanath rode his bicycle with glee, purchased at a princely sum of Rs. 159. The bicycle was nothing less than a Mercedes for the son of an ordinary farmer hailing from Rameshwar-Rui Village in Marathwada, rural Maharashtra. His makeshift classroom was in the tabela (cattle shed) that the boy along with his classmates, swept and cleaned while the cattle were taken for grazing in the jungle. Cut to today, “The only school bell I knew was the bell around the neck of the cattle as they returned back signifying end of school,” recollects septuagenarian and veteran educationist Dr. Vishwanath Karad. He is also the Founder President & Director General, World Peace Centre (Alandi), MAEER’s MIT, Pune and MIT World Peace University, one of the most prestigious educational institutions of the country.  It

ANPIC ’s OTIA launch sees Parliamentarians  Pinaki Mishra, Shabana Azmi urge for patronage  for Indian art to flourish! With Odisha to soon be the venue for  India’s first private sector Triennial, Odisha Triennial of International Art (OTIA) will see India’s national and the international art scene converge in three major cities of Odisha, namely Bhubaneshwar, Puri and Konark.  OTIA, the brainchild of Artists Network for Promoting Indian Culture ( ANPIC ) headed by its Managing Trustee, Mr. Sashanka Mohapatra, was formally launched in Bhubaneswar and New Delhi in May and June of this year. The OTIA Mumbai Declaration at NGMA, Mumbai was graced by MP Pinaki Mishra, five times National Award-winning eminent actress and MP Shabana Azmi, actors Rohit Roy and Kavitta Verma, designer Nikita Mohanty, veteran artists Lalita Lajmi, Prabhakar Kolte, Nayanaa Kanodia, Sashanka Mohapatra, artists Brinda Miller, Padmanabh Bendre, Suhas Bahulkar, Dadiba Pundole, Gautam Patole, San

Out of 120 million population of our country, 6.3% have hearing difficulties and out of that 60% are kids. Out of that, only 5% of the population is getting correct treatment and eventually become self-dependant. Audiologist-speech therapist Devangi Dalal feels that Instead of treating the rest of the hearing impaired people as a liability to our country, we should work towards creating awareness and with a dedicated approach we should work towards converting them into useful assets of the society. Says she, “Anyone can have less hearing because of Wax or middle ear problem, cough & cold, sensory neural loss. Wax i.e. outer ear problems and middle ear problems can be treated with medication and surgeries. However sensory neural losses can only be treated with hearing aids or cochlear implants surgeries. These treatments can be given according to the individual requirements and cannot be done across the counter. It is a process one has to go through. Right diagnosis, right te